44 pages • 1 hour read
Volodya is the protagonist of The Kitchen Boy and narrates most of the novel. He is first introduced in Chapter 1 as Mikhail “Misha” Semyonov—a fake identity he took on when he moved to the United States with his wife, Maria—daughter of Tsar Nikolai II—in 1918. Volodya recounts his experience with the Romanovs to his granddaughter, Kate, via tapes. In these tapes, he claims to be Leonka, a kitchen boy who worked for the royal family at Ipatiev House and witnessed their execution. In the Epilogue, Volodya’s true name and role as a former Bolshevik guard are revealed.
A young Volodya lies about his identity in order to keep him and Maria safe, as both are afraid of being executed by Russia’s Communist state. It is only after the fall of the USSR in 1993 that Volodya is willing to tell his version of history to Kate. Volodya also lies about his identity for another reason: He cannot own up to his dark past, let alone share it with those he loves. Only Maria knew Volodya’s past as a Bolshevik; everybody else in his life believed he was a poor Russian migrant who made his money via stocks. Volodya has deep-seated feelings of guilt, shame, and self-loathing because of his past and personal role in the execution of the Romanovs. As “Leonka,” Volodya is able to play the part of an innocent—a far easier identity to swallow than that of a murderer.
Volodya’s narration is preoccupied with secrecy; even as he tells his version of history, he remains hesitant, shrouding much of his memories in his recording for Kate. His narration also reveals personal biases: The former guard’s deference for Tsar Nikolai and bitter tone toward the Bolsheviks speak to his self-loathing over having been a member of the party himself. Volodya purposefully retells history to emphasize the Romanovs’ humanity, their suffering at his party’s hands.
Even though Maria—a Romanov—forgave Volodya, he does not believe he is deserving of forgiveness. In Chapter 21, Volodya commits suicide because he believes he deserves eternal damnation in recompense for delivering fake letters to the Romanovs and playing a role in their execution. While Volodya is incapable of reconciling his dark past, in the Epilogue, Kate and Novice Marina remember him with care and empathy. While Volodya cannot forgive himself, he is shown forgiveness by those he loves.
Tsar Nikolai II is the former tsar of Russia and patriarch of the royal family imprisoned in the Ipatiev House by the Bolsheviks in 1918. He is husband to Aleksandra and father to Olga, Tatyana, Maria, Anastasiya, and Aleksei. He is described as an empathetic, honorable father and capable leader who maintains composure in the face of Bolshevik antagonism. Nikolai writes the replies to the fake letters from the “White Army” throughout the novel. His empathy is evident in his attempts to call off their own rescue because he does not want bloodshed—even that of the Bolsheviks. Volodya speculates that the tsar was too honorable to foresee his assassination and Russia’s future: “Was Nikolai Aleksandrovich so naïve? That…that stupid? Or was he simply too much of a gentleman […] to even imagine that such an […] affront was even possible?” (119).
Nikolai is a patriarchal figure whose influence affects not only his family, but Volodya himself. Volodya’s language and tone in regards to Nikolai are deeply respectful, which is especially notable because his party imprisoned the tsar. At one point, Volodya describes Nikolai as a “deeply emotional, extraordinarily caring” family man and political leader (96); such descriptions starkly contrast with the Bolsheviks’ brutality. It can be argued that the young Volodya looked up to the tsar as a “father,” as he represented the respect, honor, and love that the Bolsheviks denied him. This makes Volodya’s role in the Romanovs’ execution doubly painful for him.
Aleksandra is the wife of Tsar Nikolai II and former tsaritsa of Russia. The couple enjoys a healthy, loving marriage, and their devotion to each other remains even through the stress of their imprisonment in Ipatiev House. Aleksandra clings to hope throughout the novel, believing that the daughter of her beloved spiritual advisor, Rasputin, is orchestrating a rescue attempt with the White Army. Aleksandra’s hope is evident in her “arrangement” plan: She and her daughters Olga, Tatyana, Maria, and Anastasiya stitch diamonds and other gems into the seams of their clothing in order to sneak them out of Ipatiev House whenever their rescuers arrives.
In Volodya’s eyes, the tsaritsa was a weak woman who suffered from an unhealthy obsession with God. He attributes the fall of Russia’s monarchy and Bolshevik victory to Aleksandra’s faith in Rasputin, who weakened the Romanovs’ power with his mysticism. Volodya regularly refers to Aleksandra’s fanaticism, describing how she was “more than a fool for God” (51) and “worldly ignorant. More damage she could not have done to beloved adopted Russia” (66). Volodya’s narration is highly subjective, showing a clear preference for the tsar.
Aleksei is the only son of Tsar Nikolai II and Aleksandra Romanov and was meant to be the heir to the Russian throne. He suffers from hemophilia, a blood disease that left him weak and unable to walk. Aleksei is the boldest of the Romanov children, regularly playing and talking despite the family’s imprisonment. He boasts bright, enthusiastic energy—his innocence juxtaposing with the Bolshevik aggression present throughout the novel.
Volodya is fond of Aleksei and often mentions him. In Chapter 21, it is revealed that he purposefully keeps a candy box of Aleksei’s knick knacks (which he located and stole out of Ipatiev House after the Romanovs’ execution) in his hidden vault to remind himself of the role he played in the boy’s death. While Aleksei’s sister Maria forgave Volodya for his involvement, Volodya himself is incapable of doing so.
Novice Marina is the old woman with whom Kate meets in the Prologue and Epilogue. She was the ward of Sister Antonina, helping the nun deliver food to Ipatiev House. Marina is the only character to exist in the novel’s two histories, being present in both 1918 and 2001. In Volodya’s tapes to Kate, he attributes the delivery of the “White Army’s” letters to Marina in order to conceal his true identity as the Bolshevik guard who did so. Volodya also claims that he married Marina to hide the fact he married Maria and that Kate is a Romanov.
While Volodya exploits Marina’s role in history to sell his lies, Marina herself is the only harbinger of truth in the novel. Marina tells Volodya’s truth to Kate with empathy, encouraging the younger to forgive her grandfather for his deception and dark past. The former ward plays a central role in the novel’s thematic weight, as she emphasizes the importance of forgiving guilty parties like Volodya who acknowledge their mistakes and devote their lives to righting their wrongs.
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