68 pages • 2 hours read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
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One of the novel’s central conflicts is if there is a singular truth. Barry uses his characters to explore the validity of memory, wondering if our accounts of personal and national histories are entirely factual or if they are the results of both fact and fantasy. Roseanne spends much of her life disguising the truth about her life and even does so in her personal testimony, in which her idealizations of the men whom she loved most, her father and her husband, Tom, leave the reader to wonder about her ability to be honest about her past. Roseanne’s testimony contrasts with Father Gaunt’s deposition. However, the validity of his account is also questionable because of his strong bias against women and his dislike of Roseanne. Nonetheless, Dr. Grene concludes that Father Gaunt had less reason to lie about the circumstances around Joe Clear’s death, which Roseanne revised into an innocent life lesson to cope with her trauma of witnessing it. She did this both to cope with the horror of witnessing her beloved father’s murder and to erase the notion that he, too, may have committed violence against others. The novel concludes with the notion that there is no singular way to tell a story, which is partly why Barry allows both Roseanne and Dr. Grene to serve as narrators. There is also no fully factual memory, given that our experience of history is determined by both lived events and how we feel about them.
The losses that Roseanne experienced in her youth were the results of the Irish Civil War. Roseanne grew up during a time in which Ireland was trying to determine its national identity, whether it could truly declare sovereignty while being a part of the United Kingdom and whether Protestants and Catholics could coexist peacefully in the country. Roseanne was a relatively passive witness to this civil war and to the Second World War. She seems to have a limited understanding of the circumstances leading to both. Meanwhile, all the most important men in Roseanne’s life—Joe Clear, Tom, Eneas, and John Lavelle—are involved in and compromised by these wars. The novel uses the backdrop of the Irish Civil War to examine how this broader, long-standing historical event impacted personal relationships. Tom, for instance, allied himself with a more fascist element. These politics contribute to his rather stringent views about women, thus disallowing him from loving Roseanne and regarding her as a partner. Though Roseanne survived the conflict, she became an emotional casualty because of the losses of her father, of her husband’s love, and of her friendships with John Lavelle and Eneas.
The most oppressive force in Ireland in the first half of the 20th-century is also the institution to which the nation flocks for comfort: the Catholic Church. In the novel, Father Gaunt represents the Church’s strictness toward sexuality and its policy of regarding women, particularly young and beautiful ones like Roseanne, as objects of original sin. For these reasons, he enforces the Dancehall Act at the Plaza, ensuring that men and women do not dance too closely together. Unable to ward off the popularity of jazz, a musical form that encouraged sexual expressiveness, the priest uses the Church’s power to enforce condemnation to discourage aspects of behavior regarded as sinful.
Father Gaunt is a man who seems “to long for the banishment of women behind the front doors of their homes, and the elevation of manhood into a condition of sublime chastity and sporting prowess” (135). Tom, whose elitism and devotion to the Church align with Father Gaunt’s sensibilities, epitomizes this image of masculinity. However, Tom’s marriage to Roseanne is problematic for Father Gaunt, given that it is an alliance with a Protestant and, worse, with a woman whom Father Gaunt regards as disobedient because of Roseanne’s refusal to become a Catholic and to behave as a proper wife. Mrs. McNulty is the antithesis of Roseanne. Though Mrs. McNulty is the result of a union between a Protestant and a Catholic and had a child out of wedlock, her self-denial and total submission to the Catholic Church makes her a favorite of Father Gaunt, despite her unkind and spiteful nature. This indicates that clergymen like Father Gaunt aren’t interested in the perpetuation of goodness but in obedience.
Father Gaunt uses his religious authority, as well as the prejudices of his era, to commit Roseanne to mental institutions for most of her life. Having been ostracized by her in-laws, bereft of her own family, and outcast by the Sligo community because of rumors started by Father Gaunt, Roseanne has no defense against the priest’s accusations. Moreover, she is the daughter of Cissy Clear, a woman known to have succumbed to madness, because of her frustrations with her existence and her lack of control in changing her circumstances. Similarly, Roseanne lacks control over her own fate and has been deprived of the protection of men, her father and her husband, who could have served as her only protectors against Father Gaunt. Roseanne’s act of writing her testimony is an attempt to prove her mental soundness, though there are moments throughout her life in which she wonders if she is, indeed, mad. Roseanne’s suspicion about her sanity is the result of her internalization of negative ideas about women perpetuated by the Catholic Church. When Roseanne agrees to meet John Lavelle alone on Knocknarea, she thinks herself mad for doing so, knowing that others would suspect her, a married woman, of improper behavior. Her own feelings about John, which are not romantic but sisterly, seem to matter less than others’ perceptions. People like Father Gaunt use accusations of madness to control women’s behavior, to get them to doubt and mistrust themselves so that they will obey the Church.
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By Sebastian Barry