44 pages • 1 hour read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
It is May, and Jack knows the time has come to work the farm. The thawed ground needs to be sown. Jack checks Faina’s hut but finds no signs of occupancy. Amid the shack’s scatterings, he finds a black-and-white photo of a couple, most likely Faina’s parents. As he steps into the spring morning, he understands the girl is gone.
The next day when Jack does not return from working the fields, Mabel begins to worry. When yet another day passes, Mabel heads out to search for him. She finds him flat on his back—a bear had spooked his horse and he had been thrown. He can barely move. He fears his back may be broken. Mabel struggles to get Jack back to their cabin. A prolonged recuperation could doom the farm. She rides into Alpine for help. With the nearest doctor 800 miles away in Anchorage, a distraught Mabel is given only homemade whiskey and laudanum to help Jack.
Weeks into spring, Mabel is scared. No crops have been planted. Her husband is bedridden. When George Benson stops by, he surmises the gravity of the situation. That afternoon George, Esther, and Garrett arrive with bedrolls in tow. The men will take care the spring planting while Esther will help Mabel nurse Jack. Mabel is overwhelmed by their generosity.
The next day, Mabel resolutely plants potatoes while Esther stays with Jack. The work is backbreaking. Digging into the rich earth, Mabel recalls a visit to her child’s fresh gravesite. She now cries, and Garrett awkwardly comforts her. The planting moves forward until, the fields finished, Mabel struggles to find a way to thank the Bensons. She gifts Garrett with a volume of Jack London’s work. After the Bensons depart, she cradles Jack and assures him they will be fine.
The summer is a welcome respite—the crops flourish, Jack slowly recovers, and with regular visits from the Bensons, the farm maintains operations. Mabel relishes running the farm. She is no longer a “lost soul” (196). One afternoon while walking in the fields with Garrett, Jack spies a red fox; Garrett of course wants to kill it, but Jack tells him not to, that the wild fox “belongs” to someone. Garrett is irritated, believing any fox is a nuisance. Jack explains how their wild child raised a red fox from a pup, an idea Garrett rejects as preposterous. We only learn much later that Garrett returns and kills the fox.
Winter approaches. Mabel works steadily on a winter coat for Faina, embroidering it with snowflakes. She believes the child will return, asserting that “[y]ou did not have to understand miracles to believe in them” (204). As the potato crop is gathered, Mabel regrets that Garrett will return to his own farm for the winter. She has enjoyed the boy’s company.
With the spring, the narrative turns from the escapism of wish-fantasy and the pleasant illusions of fairy tales. That tone is set when Jack rummages about Faina’s hovel and discovers the photograph. It confirms that Faina is real, an adolescent girl with real, if dead, parents. That realistic tone defines the novel’s movement into summer. With the pressing need to rise to the challenges of homesteading, the easy escapism of fairy-tale magic is an ironic, even dangerous distraction. The Alaskan frontier is fraught with peril and demands sacrifice, and the narrative celebrates the can-do spirit, the clear-eyed determination of these homesteaders to engage, rather than escape from, challenges.
When Jack is crippled, the narrative reveals how lives can be upended by the intrusion of bad luck (the reader recalls the stillborn child). In the summer, Jack and Mabel are vulnerable—Jack’s prolonged recuperation creates a challenge. But here easy escape—the cheap homemade whiskey and laudanum—is inadequate.
Rather, these chapters celebrate the heroic effort of engagement. Mabel finds purpose in the backbreaking work of sowing the fields. She never thinks about the mysterious snow child. Indeed, while she digs into the rich earth, she thinks back to the gravesite of her dead child, indicating that she has begun the difficult work of reconnecting with that trauma. And as the months pass, aloneness gives way to community and to the ties that bind us each to the other (Garrett Benson emerges as an indispensable part of the farm’s operations). More importantly, terrifying vulnerability leads to unsuspected strength.
Jack recovers from his injured back, and Mabel gets the farm operational. There is no magic here save the determination to survive and the generosity of others. But as winter approaches and Mabel confesses to her sister her yearnings for winter (and presumably the return of the wild child), we see how much Mabel still must learn.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: