44 pages • 1 hour read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
When winter roars back, Faina returns, now taller and thinner. The child delights in her new coat. But as they eat dinner, Faina grows overheated, and Jack props open the door despite the snowstorm. Over the couple’s protestations, the child insists on leaving. At last, Mabel shares the fairy-tale book with Jack, who sees her logic and stops her. “You’ve lost your mind,” he says (219). He finally tells her about the child’s home in the woods and her dead father. Mabel is furious. How could Jack have allowed Faina to live by herself like some animal? She heads out into the stormy night to retrieve the girl.
Mabel gets lost. She curls up beneath a tree in a tight ball for warmth and falls asleep. When she awakens, Jack is there banking a fire. Jack knows they must stay at the campsite at least another night because of the snow. Alone together, cuddled against the night, they talk. Now, after years, Mabel asks Jack about their dead child. Jack tells her that the baby was a boy, that Jack named him Joseph Maurice, and that he conducted a prayer service over the gravesite.
Garrett visits and brings a gift for Mabel, an elegant silver fox hat. Mabel is flabbergasted by the extravagance. In return, she gives the young boy several books.
When Mabel accompanies Faina into the woods, she watches as Faina expertly snaps the head of a small marten caught in one of her traps. Faina then shows Mabel her hut, and Mabel begins to understand that perhaps Faina is an orphan living off the land. Moved by the experience, Mabel sketches Faina. Only now does Faina explain her exotic name—it translates as “shining” and refers to the peculiar glint of sunshine off snow. Mabel feels an overwhelming “awe” like “walking into a cathedral” (248).
In a letter, Mabel’s sister is intrigued by Mabel’s interest in the snow maiden story. Chasing fairies, she says, has always been Mabel’s talent. But Ada reassures her sister there is no problem with finding magic in real life: “Life itself is often more fantastic and terrible than the stories we believe” (251).
When the Bensons come for dinner, Mabel, under the influence of strawberry cordial, opens up to Esther about Faina and even shares the fairy tale. Despite the fantastic elements, Mabel tells Esther the child is real. Mabel is surprised when Esther agrees. “If you say this child of yours is real, then by God she must be real” (257), particularly if that girl makes Mabel feel alive.
Spring nears. Jack impulsively buys ice skates at the Alpine general store, and he and Mabel take Faina ice skating under the rich light of a full moon. Together, like a family, they laugh as they each struggle to skate with grace. Jack wishes that spring would never come and that the snow would never melt.
When winter barrels back and Faina returns, the narrative now exists uneasily suspended between reality and fantasy. Mounting evidence suggests to Mabel that Faina is less a fairy-tale creature fashioned from hope and joy and more a resourceful adolescent pitched into difficult circumstances and finding ways to thrive in the wilderness. Even as Jack finally reveals the realities of Faina’s life, Mabel insists on creating an entirely new fantasy: here is the child they were denied. In effect, Mabel decides to domesticate Faina, to remake the strange girl into her lost child. We realize here the depth of Mabel’s maternal instinct thwarted by the stillborn. But for Faina, the woods and her autonomy are her identity.
The fairy-tale magic here is stripped of its wonder. But rather than leaving the characters (and readers) in a brutal and ugly real-time world, these chapters reveal unexpected moments of beauty and tenderness in the brutal frontier. Reality does not need pixie dust. The meaning of Faina’s name indicates this narrative direction; her name translates as the intoxicating brilliance of simple sunlight playing on snow banks.
As Mabel’s sister advises in her letter, there is magic in the real world. And as Part 2 closes, we are given a radiant moment in which reality itself transforms into a kind of fairy-tale world. When Jack and Mabel take Faina skating, the three of them, laughing, form a fragile moment of unforced magic in the heart of winter. For a shimmering instant they become a family, clinging to each other under the perfect full moon.
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