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Roya is terribly homesick and feels disoriented and lost in California. She and Zari grow more attached to each other than ever. Zari throws herself enthusiastically into American culture and finds an idealistic, revolutionary American boyfriend, called Jack. Jack is passionate about poetry, so Zari also begins to take an interest in literature. Roya, instead, has given up on both literature and love and is dedicating herself to the study of chemistry.
Roya is struggling with her chemistry revision in a café when a boy who reminds her of Tintin joins the queue for coffee. She is immediately attracted to him and, in her flustered state, drops her teaspoon, and then knocks over his coffee. The boy helps her mop up the mess and then sits with her at her table. He tells her that, coming from Boston, he is also struggling to get used to Californian culture. The two arrange to visit the Powerhouse Gallery together after finals and before the Christmas break.
The chapter is a letter from Bahman to Roya, which she apparently never receives. We learn that he waited for her on Baharestan, not Sepah Square, and that he believes that Roya deliberately jilted him. He refers to a letter from Roya in which she stated that she could not marry into a family with a mental illness such as his mother’s.
He tells her that his father has died. Although many viewed his father as weak for allowing himself to be dominated by his mother, Bahman is filled with respect for his courage and unwavering loyalty in defying social conventions for love. He compares the notions of love and marriage in romantic literature and American films to those in conventional Iranian society. His marriage to Shahla is loveless. They are expecting a child, and he is surprised that his mother is not more excited.
He describes his hopelessness at the political state of his country and his resigned acceptance of his new career as “a cog in the wheels of capitalism” (180). Looking back at his youthful idealism, he states that he feels bereft rather than embarrassed. With regard to Roya’s new life in America, he is both awestruck, recalling all his beloved American cultural icons, and somewhat embittered, recalling the CIA’s involvement in the coup.
Roya is feeling nostalgic for Persian cookery. One evening, on a double date with Walter, Jack, and Zari, she offers to cook for them all so as to introduce the men to the culinary traditions of her homeland. Jack declines, convinced that Iranian culinary traditions do not extend beyond kebabs, but Walter readily agrees.
Roya buys ingredients in a delicatessen belonging to the uncle of an Iranian classmate. As she enters the shop, the familiar smells fill her with nostalgia. When Walter arrives, Roya is struck by the different conventions surrounding hospitality and surprised when he wants to get actively involved in the cookery lesson. As Roya serves up the dishes and Walter enthusiastically tastes them, she finds herself falling in love with him.
Walter proposes to Roya and she accepts immediately, although she feels strangely disassociated from the scene. The couple plans to move to New England, as Walter has won a place at Boston University Law School. She is shocked at herself for accepting so rapidly, and reflects on how she condemned Bahman for abruptly and passively falling in with his mother’s plans for his life.
When she hears the news, Zari is hugely excited and states that this means that Roya has finished with Bahman once and for all. Roya’s parents fly to New England for the wedding. She is delighted to embrace them again but saddened at how much they have aged.
Zari marries Jack, but their parents cannot afford to fly over again. Jack is determined to make a living as a poet, and Roya worries about her sister’s financial security.
Patricia, Walter’s sister, comes to dinner. Roya prepares American food because Patricia has always left Persian cuisine untouched on her plate. Patricia, who has never disguised her dislike for Roya, challenges her hosts about the fact that they are still childless. Walter responds that Roya wishes to concentrate on her career for the time being. Patricia clearly disapproves and Roya reflects that she does not feel ready for motherhood. As a foreign woman, she finds it unexpectedly hard to find a laboratory post and eventually settles for a secretarial post. Walter is supportive but continues to ask whether she feels ready for a baby. Roya cannot forget Mrs. Aslan’s warning that “babies die” (205).
Part 3 charts Roya and Zari’s first experiences in the US and the lives that they gradually build for themselves in their adopted country. In the novel’s opening section, Roya appears the most culturally curious and open of the sisters. In the US after the coup, Zari is the one who blossoms and swiftly assimilates while Roya feels cut adrift and terribly homesick, invoking The Nature of Memory and Loss. Roya is constantly struck by the differences between America and Iran: the food, wearing shoes inside, conventions surrounding hospitality, etc. She finds the café in which she meets Walter glossily superficial compared to the Ghanadi café where she spent time with Bahman. Food becomes her connection to her old life (See: Symbols & Motifs).
The differences between Walter and Jack reflect the manner in which Roya and Zari relate to America. Jack takes no interest in Zari’s culture, as he has a dismissive attitude toward Persian cuisine. He sees himself as a revolutionary, but faces none of the dangers faced by political activists in Iran. Walter, instead, wants to understand Persian culture in order to understand his future wife. He pays diligent attention when she gives him a cookery lesson in Chapter 19 and learns to pronounce the endearment “Joon” when he proposes.
The Ties Between the Personal and Political also affect Roya’s relationship dynamics with Walter. For all his cultural openness, Walter retains certain characteristics and habits that Roya views in a mildly ironic light. In Chapter 19, she reflects that the indefatigable cheerfulness of Americans is due to their country’s lack of history. When she first sees Walter, he reminds her of Herge’s Tintin, the hero of a Belgian series of adventure comics set in “exotic” locations, which have often been accused of promoting a Eurocentric, colonialist vision. Walter has a great penchant for “plans” (Chapter 17) and shares none of Roya’s intense, trauma-informed anxiety about the future. Specifically, while for Walter having children is simply an item on a kind of conventional “to-do” list for his life (hence the title of Chapter 20), Roya is haunted by Mrs. Aslan’s admonition that “babies die” and by the thwarted hopes and dreams that she left behind her in Iran.
While Zari begins to take an interest in literature in an effort to impress Jack, Roya’s has abandoned her literary aspirations and seems to have lost her faith in the written word. Bahman’s letter in Chapter 18 provides further evidence of the instability and unreliability of texts. It is now clear that the correspondence between Roya and Bahman has been tampered with, but there is no indication as to how this has happened. Moreover, Roya does not appear to have read the letter reproduced in the book despite the fact that it is addressed to her. The sabotage of their relationship has led them to pursue The Experience of Love and Marriage with other partners—Roya with Walter, and Bahman with Shahla—but Bahman’s letter emphasizes how an unresolved bond remains between them, foreshadowing their eventual reunion.
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