52 pages • 1 hour read
As they stare at the encrypted letter, Finn looks to Emma and Chess to solve the puzzle. He takes comfort in Emma’s logic and determination. Even Natalie tries to help, searching her phone for “codebreaker apps.” As the four of them jostle around the laptop, Emma and Chess relegate Finn to what he considers a lesser job: searching through invoices in their mother’s work computer with Natalie. A look from Emma, however, convinces him that their real aim is to keep Natalie from viewing the letter by having Finn distract her. He tries to keep Natalie occupied, but she keeps peering over her shoulder to catch a glimpse of the other computer screen. As Finn scans various websites his mother designed, he notices slight variations in her company logo, a butterfly. Enlarging the images, he sees differences in the color and pattern of dots on each wing. He believes this is a clue to decrypting the letter.
Emma, normally a math whiz, is frustrated that she can’t decipher the letter despite her interest in codes and codebreaking. She remembers her mother giving her a book about codes, and she wonders if that act was a sort of preparation for this moment. When Finn shows her the butterfly logos, she recalls a story about Lord Baden-Powell, founder of the Boy Scouts and a wartime spy who encrypted coded drawings of military fortifications inside butterfly sketches. She also remembers her mother’s love of rainbows. Arranging the butterflies in rainbow order, Emma reexamines the dot patterns. What emerges is a map of the Boring Room with a star marking a place behind an empty bookshelf, which Emma concludes is “where we’re supposed to look” (133).
The kids convince Ms. Morales to drive them home again—ostensibly to visit Rocket—so they can explore the Boring Room. As they enter the room, unsure of what they might find, Chess is relieved to have Natalie with them to shoulder some of the responsibility. Looking around the room, Chess is struck by the stark emptiness of it. There are no adornments—just a desk, a chair, and three nearly empty bookshelves. When Finn mentions the absence of internet service in the Boring Room, Natalie points out that that makes no sense; if their mother designs websites, she would need constant internet service. This calls into question the veracity of everything their mother ever told them.
Meanwhile, Emma is focused on the map. She, Finn, and Chess search the area around an empty bookcase in the spot marked with a star. As Chess tries to gain a foothold on the top of the bookcase, he slips, tumbling to the floor and knocking the bookcase over in the process. The bookcase doesn’t fall so much as swing open. It’s not a bookcase at all but a secret door.
As Finn looks for a flashlight to explore the dark space behind the bookcase, Emma steps into it, looking for a light switch. When she finds it, the light illuminates a hidden room stocked with food and water. They also notice a stack of shoeboxes. Chess opens one and finds it stuffed with money. Finn wonders if his mother really did rob a bank.
Most of the cash in the shoeboxes is in small denominations—ones and fives—therefore, Natalie concludes, it’s highly unlikely their mother robbed a bank. Further, she speculates that the hidden space is actually a panic room, a special enclosed area where someone might hide from intruders—or kidnappers. While Emma and Chess locate the button that opens the secret door, Natalie and Finn discover a lever inside the panic room. When she pulls it, the room shifts beneath their feet and begins to spin. When the spinning stops, the entrance is blocked by rows upon rows of bookshelves.
Looking around, they find the opening isn’t blocked after all; it’s shifted. When the floor begins to shudder again, they make a dash for the exit, but they find themselves in darkness. Turning on a light, they find not the Boring Room but an empty, dusty space. Somehow, the spinning room transported them to another place.
The kids and Natalie explore the empty space, trying to get their bearings. They assume they must be in a neighbor’s basement, but nothing looks familiar. As they ponder various possibilities—the room is actually on a track and it’s moved them to the adjacent street, for example—Natalie tries to locate their position on her phone but can’t get a signal. Unlike the others who want to get back to their house, Finn is eager to explore the new space. Running up the stairs, he bursts into an empty house with boarded up windows. When they open the front door, they see a completely unfamiliar scene: a crumbing porch and a yard overgrown with weeds and surrounded by a tall wooden fence. None of them have ever seen this place before.
Finn’s insight into the “random” butterfly patterns yields the key to unlocking a vital clue: the discovery of the secret room hidden behind their mother’s office. Although solving the mystery is a collaborative effort, Finn provides the initial “Aha” moment, suggesting that the deepest insights require the most active imaginations. Emma is steeped in—and bound by—her love of logic and numbers. Her insistence that the world can be reduced to solvable equations inhibits her from outside-the-box thinking. Chess, the eldest, is even further hindered from the kind of inventive thinking necessary to navigate these strange circumstances. He is constrained by his sense of responsibility as well as nascent, pubescent distractions. Finn’s youth and spontaneity allow him to entertain ideas that Emma and Chess might not consider. Natalie provides both tech support and whatever wisdom she has accrued over her thirteen years. Haddix endows her characters with the necessary skills—some individual, some collaborative—to decipher the admittedly obscure clues and make their way to the next stage of this bizarre labyrinth.
Red herrings and perplexing characters are a part of any mystery, and Natalie fits nicely into this category. At first glance a typically bored and cynical teenager, she becomes oddly interested in the kids’ well-being the moment the mystery intensifies. Her scrutiny of Finn seems out of character, even though her mother suggests it. For that matter, Ms. Morales’s role as temporary caretaker—or not so temporary if Mrs. Greystone’s final text is any indication—also raises questions. If Kate knows her absence may be an extended or even permanent one, it is worth wondering why she asked a relative stranger to watch her children, especially if protection is required. As Natalie and her mother insinuate themselves more deeply into the kids’ lives, Haddix’s fascination with masks and facades plays out, implying the kids’ new guardians may not be everything they appear to be.
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By Margaret Peterson Haddix
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