67 pages • 2 hours read
Life at Nowhere House is good for Mika. She always finds something to do and good company to enjoy. Mika has helped the girls with several vital witch skills. At Nowhere House, Mika feels a peace she has never known before.
On December 1, there’s a meteor shower. Mika stays up late to gather star shavings from the sky. Hearing a crash from Jamie’s room, she investigates and finds that he broke a glass. She helps him clean it up, using magic to gather and dispose of the pieces. He couldn’t sleep, so he planned to drink. Like everyone else in the house, he’s stressed about Edward’s upcoming visit.
Mika invites Jamie upstairs to treat the cuts in his hand and brings the whiskey. She patches him up with her special balm, and he asks questions about her practice. Mika allows him to catch a star shaving.
Jamie continues to visit Mika’s attic in the evenings, bringing alcohol. They usually sit in silence while Mika works. Jamie sometimes asks questions about her processes and spells. He asks why Circe stopped shedding. She says she noticed that it bothered him, so she used a spell to prevent it. As a guest in their home, Mika would hate to make the residents uncomfortable. Jamie clarifies that she’s not a guest.
Mika wants the girls to have any life they choose, but she worries that Terracotta won’t get the education she needs to be independent if she doesn’t listen to Mika. She blames Jamie for not adjusting his own attitude sooner.
Several days later, Terracotta—who heard about Altamira’s levitation and subsequent help from Mika—begins to beg Mika to teach her levitation. Mika repeatedly refuses because it’s dangerous. Terracotta, wanting to defy Mika and prove herself above Mika’s tutelage, figures it out on her own. Jamie hears a commotion outside and looks out his window to see Terracotta 12 feet in the air, boasting about her success.
Mika attempts to talk Terracotta down, but the girl won’t listen. She’s too caught up in her victory over Mika. Terracotta sits on a high-up tree branch like a broomstick. Mika’s voice is panicked, despite her attempts to sound calm and stern. Terracotta brags about not needing Mika’s help. Suddenly, the branch begins to crack underneath her. Jamie realizes how much harder it is for Mika to help Terracotta when Terracotta actively resists, and an abundance of magic begins to gather around Mika and Terracotta.
Mika levitates to retrieve Terracotta herself. A blinding flash of light bursts through the air. Mika redirects it from Terracotta to herself, taking the blow and falling to the ground. Mika is unconscious and motionless. Jamie and Ian rush to her side. She’s alive but in bad condition. Ian notices a small leaf sprouting from the hollow of Mika’s neck. He recognizes this as a sign of hibernation—a thing witches do when they’re injured. He saw his mother hibernate once.
Jamie isn’t used to feeling this panic. He takes Mika to the attic and settles her in bed. There’s nothing they can do but wait. Terracotta feels guilty that it’s her fault Mika is hurt. Jamie tries to control his temper, but he informs Terracotta that her attitude toward Mika caused this.
Mika awakens the next day feeling awful. Her entire body hurts, and she has very little energy. When she opens her eyes, the sun is too bright, and she complains about it. Jamie, who is sitting with her, covers her eyes with his hand. She exclaims in pleasure at the darkness, and he jokes about her making sex noises. She replies that he doesn’t know her sex noises yet.
Mika realizes that she was in hibernation, which Primrose told her about. Jamie tells her that they’ve taken shifts watching her, but Mika can tell it’s been only Jamie the entire time. He says Terracotta has been with him for much of it. He thanks Mika for protecting Terracotta.
Circe runs in, followed by the girls and the other adults of the house. Everyone is happy to see Mika awake. They all leave except Terracotta, who wants a moment alone with Mika. Terracotta asks why Mika saved her, and Mika says she likes Terracotta. Terracotta says she doesn’t understand why, when she has been so mean, but Mika says she understands that Terracotta’s attitude comes from a place of protectiveness. Mika asks Terracotta to trust her and listen to her because Mika wants to keep everyone safe. They make up, and the other two girls run in to give Mika a hug. All four fall asleep in Mika’s bed.
It takes two days for Mika to be mobile. The household waits on her every whim, serving her and entertaining her while she heals. The girls have started practicing their animation spells on wooden dolls.
Jamie brings Mika her phone. Primrose has texted to ask Mika to lunch the following day. Mika doesn’t want to reject Primrose because she worries that Primrose noticed the surge of magic. However, Mika’s in terrible shape. Pulling herself through lunch a few miles away may be hard on her body as it recovers. Jamie worries about her.
Mika uses a speed spell to shorten the two-hour drive, but it takes all her energy. She regrets accepting Primrose’s invitation. Inside, Primrose immediately notices Mika’s ghastly appearance and remarks that she knew the surge of power had to be from Mika. Mika is offended that Primrose thinks of her this way, even though she was the cause. Primrose thinks Mika is being reckless again.
Primrose asks about the surge and why it came from Norfolk. Mika, who attended college near Norfolk, says she was at a reunion when she saw her ex-boyfriend and had to go to the woods to lose her temper. Primrose believes Mika.
Primrose muses about how different witches have different strengths. She’s good at memory magic, while Mika excels in potions. Primrose adds that her late sister had her own skills, but Mika interrupts, asking Primrose to repeat what she said about the potions. She can’t get over Primrose’s acknowledgment of her talents. This directs the narrative away from a point that foreshadows a major revelation in later chapters: that Primrose has a sister.
Mika asks for details about why witches are orphans. Primrose explains. Witches used to be able to assemble without much fear, but the Witchfinder General gaining political power made things too dangerous. Fifty-three witches came together to cast a spell designed to provide extra protection to newborn witches, but assembling so much magic together backfired. Now, to prevent disaster, witches tend to stay away from one another and never practice magic together.
Mika asks about her own heritage. Primrose says she knew Mika’s grandmother, which is how she learned of Mika’s eventual existence. Mika’s grandmother served a similar role as Primrose, leading her own geographically similar group of witches. Primrose kept track of Mika’s mother too. She explains that Mika’s mother didn’t want children but ended up not having a choice. Mika feels sad that she didn’t have a choice. None of the witches in India took Mika because they all had their own families they were hiding their powers from and couldn’t risk bringing in another source of magic.
Mika asks if Primrose ever considered breaking tradition and allowing witches to be around one another. However, Primrose insists that alone is the only way they can ensure their safety.
Mika is too tired to drive home, but Jamie shows up to take the wheel, having planned with Ken to do so earlier. Mika clambers into the passenger seat, shivering. Jamie helps Mika into his coat.
She enters a state of extreme exhaustion, sniffing Jamie’s jacket and touching his face. She asks him to kiss her, but he refuses. She asks if he doesn’t want to kiss her. Jamie clarifies that he won’t kiss her while she can’t give full consent.
Mika explains that Primrose believed her lie and talks about what she learned from Primrose. Mika felt that it was the right time to ask Primrose questions because more is at stake now that she’s mentoring three young witches.
Mika sleeps for most of the ride and wakes up as they arrive home. Inside, Ian waits with tea and cookies. Mika tells Ian and Jamie about her history with the college in Norfolk and her ex. Mika loved her ex so much that she showed him her true self. However, he took advantage of her magic for his own gain. Mika lost herself in that relationship. When they broke up, Mika left school. She wanted him to forget her.
Mika adds that she also had a few nannies and tutors who took advantage of her magic. She says it would be nice to live in a world where she could be herself. Ian relates Mika’s feelings to the earlier days of his and Ken’s relationship, when it wasn’t safe or legal to be out as gay men. Their love helped them through it.
Mika sleeps in Jamie’s coat and wakes late in the day. The girls escort her downstairs for dinner, where they’ve been practicing animation on their wooden dolls and on origami swans that flutter around the room. Lucie asks if Mika remembers much from the previous day. Mika remembers her attempts to get Jamie to kiss her and knows he remembers too—but she doesn’t mention it.
Ian suggests that Mika take the girls and Jamie foraging tomorrow, but he’s going to Liverpool to meet up with his mother at an art gallery for her birthday. Everyone besides Mika is shocked, uncertain that it’s a good idea for Jamie to visit his mother. They worry that his brothers will be there. Mika wishes someone would fill her in on Jamie’s family, but she doesn’t feel it’s her place to ask. Ian suggests that Mika go with Jamie so that she can use her speed spell to help him cover the long drive. She agrees.
The next morning, Jamie visits Ian and Ken’s cottage, intending to scold Ian for pushing Mika on him, but Ian has left. Jamie expresses his concerns to Ken, who asks him to forgive them for wanting him to have someone when they die. Jamie explains that he’s worried about Mika hurting him, since she tends to leave and not form connections. Ken acknowledges that it’s likely Mika will leave but encourages Jamie to “leave a window open” (213) for the possibility of loved ones returning.
These chapters continue to develop the relationship between Mika and Jamie as well as revealing important insights into each of their histories. In addition, these chapters further develop the novel’s main themes and introduce one of its most important motifs.
In Chapter 18, when Jamie admits to Ken that he’s afraid to get close to Mika because she tends to leave, Ken tells Jamie that, when people run, “all you can do is leave a window open for them so that one day, if they choose, they can come back” (213). Windows become a motif for the theme of Letting Others In by representing transparency, openness, and the potential for people to become close. Unlike a closed window, an open window enables full connection. The use of windows in Chapter 13 backs up this motif. Mika hears Jamie drop the glass because his window is open, and she’s sitting on the balcony. Jamie’s cracked window represents the opening for Mika to move in and get closer to him. After she seizes this opportunity, Mika and Jamie begin to have nightly meetings in the attic, where they discuss the girls, magic, and themselves. These intimate meetings, though not romantic in nature, show how Mika and Jamie begin to build their relationship on a deeper level. This chemistry increases when Mika is recovering from the magic accident in Chapter 17 and asks Jamie for a kiss. Jamie proves respectful of her by refusing to kiss her while she’s unable to give full consent, establishing him as a healthy option for Mika romantically.
The significance of letting others in is also apparent in the actions of Terracotta, whose desire to push Mika away leads her to make reckless decisions and causes Mika to become seriously injured. Mika tells Jamie, “I can’t keep her safe if she won’t listen to me” (150) and blames him for allowing his attitude to rub off on the girl. Terracotta realizes the error of her ways after Mika falls unconscious. When she awakes, she and Terracotta have a serious discussion about trust, and Terracotta acknowledges that Mika wants what’s best for her. This development shows how trusting others and allowing them to become close can be beneficial when others are trying to help and want what’s best. The narrative also highlights the theme of The Importance of Family as everyone dotes on and entertains Mika during her recovery, giving her “quite unprecedented experiences in the whole of her life” (169). Mika gets to feel what it’s like to have people care about her and nurture her, which is unlike anything she had before and shows how family is important for one’s well-being.
Chapter 16 reveals important information about Mika’s past and the history of witches, explaining both why witches don’t gather like they used to and why they’re always orphans. Because witches were being hunted down, they came together to cast a spell to protect all new witches born, but it backfired, causing all new witches to become orphans. Primrose’s belief that witches must stay isolated for their own safety isn’t just to protect them from people who might hunt them down but also to protect them from spells gone awry like the orphan spell. The traditions practiced in the subsequent centuries since the spell went wrong develop the theme of Freedom Versus Safety by showing how witches have historically prioritized safety ever since their freedom caused them great harm.
Mika reveals her own struggles, both with letting others in and with freedom versus safety, near the end of Chapter 17. When she finally did tell someone she loved about her magic (her ex), he took advantage of it and had her cast spells for his own gain. Although she was free to practice magic around him, she lost the safety of avoiding being used by those she loves. In addition, Mika reveals that some of her nannies and tutors took advantage of her in the same way. Mika’s struggle to let others in comes from her mistrust in people to have good intentions.
Overall, this section heavily develops the idea that allowing others to become close can be scary yet beneficial by showing how Mika, Jamie, and Terracotta deal with their walls toward each other. The dynamics of working out trust in a family while rearing children have echoes of classic domestic fiction titles, helping root this story of magical realism in a domestic setting and creating a tone of coziness and comfort even in sections that deal with heartache and mistrust. Jamie’s concerns at the end of Chapter 18 about letting Mika in become a primary force in his decisions as the novel continues.
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