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Pat has a meeting with the Southern School Superintendent, Dr. Henry Piedmont, during which he says that he wants to teach on Yamacraw Island. Piedmont hails Pat as “a godsend” because he has “prayed at night […] for an answer to the problems of Yamacraw Island” and for someone “to teach those poor colored children” (11).
Yamacraw is an island off the South Carolina mainland. It is “beautiful because man has not yet had the time to destroy this beauty” (13). The population is primarily black people who make their living from the sea and small farms, although some white families “live on the island in a paternalistic, but in many ways symbiotic relationship with their neighbors” (13).
According to the author, the “twentieth century has largely ignored the presence of Yamacraw” (13). He describes the people as having changed very little since the Emancipation Proclamation: “Indeed, many of them have never heard of this proclamation” (14). However, life on the island is changing, and young people are leaving the island at an alarming rate. The author observes that the “island is dying and the people know it” (14).
Much of the change on the island is due to a new industrial factory on the mainland. The people on the island used to make a living by gathering oysters that were famous across the world. However, when the factory’s waste began washing up on the beaches, “little white signs were placed by the oyster beds forbidding anyone to gather oysters,” putting an end to the island’s only industry (15). Facing starvation, the island’s population began migrating to cities on the mainland.
The author turns to describing his childhood. As a child, Pat is racist and ignorant, his early years “darkened by the shadows and regional superstitions of a bona fide cracker boy” (15) growing up in the South. He and his friends amuse themselves by throwing rotten watermelons at black people. They call this “nigger-knocking,” and he recalls that at the time “the word nigger felt good to my tongue” (16). He recalls these memories as a way of tempering his tendency toward self-righteousness.
In the early 1960s, Pat moves to Beaufort, South Carolina, and then attends a military college only “seventy miles up the road” (17). After graduating, he begins teaching at his former high school, although he finds that “thanks to the dastardly progression of law, black students now [pepper] the snow-white Elysium that once had harbored me” (18).
Pat’s worldviews are changing, though. He opposes the war in Vietnam, even though his students accuse him of being a Communist as a result (18).
One of the biggest challenges to Pat’s views results from the assassination of Martin Luther King, Jr., in 1968. The reaction among the students is “explosive in its generation of raw, naked emotion”: “the black students [walk] the halls in silence, tears of frustration rolling down their cheeks” (20).
A group of black students confront Pat as he patrols the campus during recess. One girl demands, “What are you doing here, white man? You sent here by the white man to make sure we don’t do anything de-structive?” Another says, “Why don’t you get back with the rest of those honkies and let us cry in peace? We don’t need you to tell us how sorry you are or how much it disturbs you to see us upset” (21). Pat is speechless while the children alternate between angrily promising that “We are gonna burn this town down tonight. We gonna burn every white man with it” (21) and desperately exclaiming “Oh God, why can’t they leave us be? Why can’t they treat us right?” (22).
Moved by King’s death and his own white guilt, Pat lobbies for a course in black history at the majority white school (22). He succeeds in getting the course added to the curriculum, but he faces backlash from other teachers as well as his own ignorance about the history of black people in America.
Pat and his friend Bernie decide that they want to teach on Yamacraw, “entertain[ing] delusions that we [will] somehow save the world, or a small portion of it” (24). Moreover, “the idea of our own island [...] appealed to us” (24). However, when Bernie enquires about a teaching position on the island, he is “hooted out of the [school] office” (24). They apply to the Peace Corps instead. Bernie quickly receives a position in Jamaica, while Pat waits several months for news about his application. He doesn’t want to return to the school where he had been teaching, nor does he want to be drafted into the Vietnam War, so he meets with Dr. Piedmont and gets the job teaching on Yamacraw.
Ezra Bennington, the region’s “elderly deputy superintendent,” was once in charge of the school district that includes Yamacraw island. He tells Pat about the difficulties he’s had in providing an education for the children of Yamacraw. He describes the other teacher at the school, Mrs. Brown, as “the first decent teacher [he] could get” (27).
On his first visit to the island, Pat meets the “leading personalities.” Chief among these is Ted Stone, “a powerfully built man with steel gray hair and ice blue eyes” who “rule[s] Yamacraw Island” (28), serving as the game warden, the magistrate, the director of economic opportunity, the warden of the roads, and the civil defense director.
Pat also meets Mrs. Brown. She is a large, “light-skinned” black woman. She assures Pat that she is not from the island and “was educated in a very fine private school where the cruder forms of black dialects were frowned upon” (31). Whenever Bennington speaks, Mrs. Brown nods in agreement, but Pat can’t tell whether “this [is] a role she [is] playing or if she actually believe[s] that Bennington [is] the word made flesh” (32). Although Pat has been told that Mrs. Brown is principal of the school (which is later confirmed), Mrs. Brown thinks that Pat is being made principal because he is white (40).
Mrs. Brown holds a low opinion of the students at the school. Discussing the school’s problems, Mrs. Brown says, “You know I try. But these people don’t want to better themselves” (32). She warns Pat to treat the children sternly: “I know colored people better than you do. That’s because I am one myself. You have to keep your foot on them all the time. Step on them. Step on them every day and keep steppin’ on them when they gets out of line” (34). She tells him that they have a cabinet of switches for beating the children.
Pat is assigned to teach grades 5 through 8. When he meets the students, “they simply [gaze] at me with shy amusement, then [bury] their faces in their hands” (31). They are “subdued, passive, and exceedingly polite,” and everything in the classroom is “Mickey-Mouse neat and virgin clean” (31). Mrs. Brown comes in and speaks to the class. She tells the children that two of them have “good brains,” but “the rest of you can’t think as good” because “your brains are just slow” (35). She insists, “You can learn if you work. You are just lazy, lazy, and lazy people just can’t get ahead in life,” adding that “some of you are even retarded, and that is even worse than being lazy […] [R]etarded people need to be pushed and whipped harder than anyone” (35).
Pat is surprised by the children’s lack of education. He discovers that some of them are can barely write or can’t write at all. When he asks them to point to Yamacraw Island on the map, they don’t know where it is located; they point to Russia, India, and Outer Mongolia. He is further shocked to learn that they do not know that they live in the United States of America, have never heard of George Washington, and do not know the names of the oceans—even though they live on an island in the Atlantic Ocean. Some of the children can’t count to 10, while others don’t know their own birth dates. Pat gets “closer and closer to the children” and “madder and madder at the people responsible for the condition of these kids” (45). He notes that the children have “never taken a trip, never seen a hill, never seen a swift stream, never seen a super-highway, never learned to swim, and never done a thousand things that children of a similar age [take] for granted” (49). He writes to Dr. Piedmont, “telling him that his cute little schoolhouse on Yamacraw [is] not worth a pound of cow dung” (48).
Each day at the school includes 30 minutes of free reading time. However, because many of the children are illiterate, Pat uses the time to try to get them interested in books. Unfortunately, the school’s library doesn’t have any books that would be of interest to the children or on their reading level.
Pat describes the island’s public library as “the greatest travesty” because it offers only classic literary texts and nothing relevant to the islanders. He derides this as another project by “concerned white folks” that assumes that “by a miraculous process of osmosis, the oyster-pickers will become Shakespearean scholars. All dem nigras need is book and little tad of education” (58).
Music is important on the island, and Pat enjoys letting the children sing and dance, although Mrs. Brown believes doing so wastes school time and “ignor[es] the sacred laws of the state government” (58). Pat introduces his students to classical music, and soon most of the children “[develop] an almost infallible expertise.” He and the children take “almost Satanic pleasure” from challenging visitors to contests in classical music, then watching “the misty-eyed whites who had flagellated themselves with visions of worm-eaten cretins and deprived idiots trounced in a head-on collision of wits” (62). Pat uses these experiences to try to get the children to believe in their own self-worth.
Pat continues to find new ways to keep the children interested and engaged. For four months, they listen to the news every morning, using it as a platform for exploring foreign countries and other topics. Because the children can’t read, they don’t use textbooks, but rather learn orally. They begin a game of call-and-response around the topics of the day, so that every morning contains “a daily chant or incantation to the gods of basic knowledge” (65).
Although when Pat arrived the children were “untouched by the twenty-six letters of the alphabet” (68) and unable to perform basic math, “[a]fter one month of anguish and labor” (69) all of them know their letters and can count to 10.
The first chapters introduce the author and narrator, Pat Conroy, a young teacher seeking for ethical reasons to avoid being drafted to fight in Vietnam, first by applying to the Peace Corps and then by taking a job on Yamacraw Island. By exploring his own past growing up in the South surrounded by white supremacism, Conroy introduces one of the book’s key themes: racism. Conroy admits that he participated in the racism that permeated his community, even taking part in violent aggression in the form of a “game” called “nigger-knocking” in which he and his friends threw rotten watermelons at black people.
By the time Pat begins teaching, however, his politics have changed. He opposes the Vietnam War, has renounced his racist upbringing, and greatly admires Dr. Martin Luther King, Jr. Although he wants to act on his new worldview, he often feels powerless to do so. For example, after the assassination of King, Pat sees the anguish among the black students at the school where he is teaching, but he is unable to respond when the students confront him about his whiteness. This experience introduces another key theme, white guilt, which Pat describes as a “shadow that hover[s] over me” (22). Pat not only acknowledges his white guilt, but also begins to understand how it can lead to well-intentioned, but poorly thought-out attempts to assuage that guilt, such as his undertaking to teach a black history course despite not knowing anything about that history.
The opening chapters also introduce Mrs. Brown, the only other teacher at the school on Yamacraw Island. In describing Mrs. Brown’s attitudes toward the children and the other black people on the island, Pat foreshadows his emerging understanding of the systemic nature of racism, including the ways that black people have internalized racism and its effects on their beliefs about themselves.
Pat’s experiences in the school further this understanding of systemic racism. He is shocked by the children’s lack of education when he first arrives. Rather than accepting Mrs. Brown’s assessment that the children are lazy or “retarded,” Pat blames the school system and the people in it who have allowed the children to languish without a proper education or introduction to the world beyond the island. He believes that if he can get the children to believe in their own abilities, he can engage them in learning.
To that end, Pat introduces the children to classical music. He drills the students on various composers until they can match wits on music trivia with white visitors to the school. He, however, does not seem to see the contradictions between his teaching methods and his critiques of other “concerned white folks,” such as those who built the island’s public library and stocked it with classic works of literature. He is contemptuous of an education system and a white community that do not respond to the children’s needs in an “appropriate” or relevant way, even as he uses outside, white music in his classroom.
“Appropriate” education is of paramount importance to the author. Because most of the children cannot read, he jettisons textbooks in favor of oral lessons and uses the radio to entice the children to learn about geography and current events. He prides himself on the fact that after a month of his intervention, the children can recite the alphabet and know their numbers up to 10.
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By Pat Conroy