logo

43 pages 1 hour read

Truly Madly Guilty

Fiction | Novel | Adult | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 25-44Chapter Summaries & Analyses

Chapters 25-44 Summary

The barbecue continues with Vid and Clementine forging a connection over food and music, and Sam and Tiffany lightly flirting. The children are mentioned at intervals, but the parents are keeping an eye on them. They talk about how Vid and Tiffany met. Although they met at a real estate auction, Vid teasingly reveals that he’d seen her before, back when Tiffany was a professional stripper.

Meanwhile, in the present, Vid is having a hard time with the aftermath of the barbecue and how Clementine has shut him out. Tiffany also sees that Dakota is under duress because Dakota ruined one of her beloved books. When Tiffany takes her daughter to her new school, Tiffany sees a man from her past. Tiffany sees “the unmistakable glimmer of recognition in his pale eyes” and is shaken. She’s relieved when Dakota feels sick, and they have to leave. The subject of Clementine comes up in the car, and Dakota reveals that she’s sure Clementine hates her for what happened at the barbecue.

Erika goes to her mother’s and sees that Sylvia’s hoarding has gotten worse. The neighbor wants to sell and is concerned that the mess in Sylvia’s yard will bring down the price of her house. Sylvia blames the rain for the state of her yard.

Back at the barbecue, Clementine and Sam, who have been having trouble with their sex life as the parents of small children, are finally feeling like they might be able to reconnect. The atmosphere of fun and sex at the barbecue makes them flirty and excited. Everyone is attracted to “smoking-hot Tiffany.” Clementine is curious about her job, and Tiffany clarifies that she purchases and renovates properties.

In the present, Clementine and Sam’s relationship is falling apart. They both remember how the sexual excitement from the barbecue distracted them, and they feel angry and guilty.

At the barbecue, the sexual teasing escalates until Tiffany offers to give Clementine a lap dance.

Chapters 25-44 Analysis

In this section, the motif of sex and desire further develops the theme of The Trials of Marriage. Sam and Clementine’s lack of intimacy and sex indicates a strain in their relationship. The desire for and possibility of sex distracts and excites them at the barbecue. Post-barbecue, Sam and Clementine don’t want to remember their own susceptibility to the lure of sex and see Tiffany’s family as reminders of their own mistakes. In this way, Tiffany and Vid represent lust and desire, so Sam and Clementine reject them. Tiffany, in particular, embodies “the bombshell” trope. She is beautiful, confident, and sex positive:

Tiffany tipped back her head and took a long swig of beer, her back arched, her chest thrust out, like a girl on a sexiest football commercial. Erika couldn’t look away. Did she do it on purpose? It was extraordinary.

Throughout the narrative, the male and female guests alike are attracted to Tiffany’s sexual prowess. Prior to the barbecue, Clementine playfully remarked, “Sam just loves Tiffany from next door,” to which he responded with a thumbs up gesture. During the barbecue, Tiffany reveals that she used to be a “pole dancer,” and this excites both Sam and Clementine, who were “giddy” at the revelation: “Clementine’s face was luminous.”

After the barbecue, Sam and Clementine’s rejection shifts the culpability of Ruby’s accident onto Tiffany’s family. This speaks to the theme of Parenthood: Responsibility and Guilt. Subsequently, Tiffany’s family internalizes feelings of guilt. Tiffany feels negligent, Vid is hurt and distressed, and Dakota is guilt-stricken. Dakota destroyed The Hunger Games, the book she went inside to read when the near-drowning incident occurred. The symbolic destruction of the book illustrates her guilt and anger.

However, the novel’s central irony and eventual plot twist reveals that everyone’s blame was misplaced because Holly deliberately pushed Ruby into the fountain.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 43 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools