Anna becomes eager for Walter’s presence, waiting all day for his letters to arrive. She thinks of their time together and resents Sundays, when he is not in London. That year, Anna’s birthday falls on a Sunday, and she receives a card from Maudie who intends to visit her that day.
When Maudie comes to visit her, Anna associates her with the past: “When I remember living with her it was like looking at an old photograph of myself and thinking, ‘What on earth’s that got to do with me?’” (38).
Maudie comments on the new appearance of Anna and her quarters saying she always knew Anna would “get off with somebody with money” (38). Anna lives a more lavish lifestyle and Maudie cautiously advises her not to get too attached and emotional, as men often have their own agenda.
Anna resents this and protests to listening further while Maudie laments her own experiences with Viv. She comments: “’The thing with men is to get everything you can out of them and not care a damn. You ask any girl in London—or any girl in the whole world if it comes to that—who really knows, and she’ll tell you the same thing’” (38-39).
Maudie adds that Walter appears to be the “cautious sort” (39) and believes that Anna should at least seek a flat from him. As Maudie continues talking in an endless stream, Anna, irritated, tells her to shut up. However, Maudie steers the conversation toward Anna’s stepmother, Hester, who takes no interest in Anna’s activities.
Before dinner, Maudie again advises Anna to get a flat while Walter is still “fond” (41) of her. On their way, they encounter a man speaking of God who comes aggressively toward the women when they approach: “‘Laugh! Your sins will find you out. Already the fear of God is like Fire in your hearts’” (42).
Maudie becomes agitated at his behavior, while Anna is curious as to what he may be thinking. Afterwards, Maudie tells Anna to keep her updated and to “be careful” (42). Maudie then catches a bus to go home.
Anna describes the setting for her conversation with Walter that night: “There was the light on over the sofa and the tray with drinks, and the rest of the house dark and quiet and not friendly to me. Sneering faintly, sneering discreetly, as a servant would. Who’s this? Where on earth did he pick her up” (43)?
They have come from meeting Walter’s cousin, Vincent. Walter believes that Anna should take singing lessons and that Vincent may help her with procuring a job: “‘I want you to get on. You want to get on, don’t you?’” (44).
Anna has not thought about her future: “‘I want to be with you. That’s all I want’” (44).
Walter mentions Anna’s “predecessor” knew how to “get on” and calls Anna “a baby” (44).Witnessing Anna’s apparent discomfort, he tells her to be happy.
Anna begins drinking a whisky and tells Walter her whole family enjoys drinking. She recounts her childhood in the West Indies, her Uncle Bo, who seems to her favorite, and that when she was younger, she “wanted to be black” (45). On her mother’s side, she is fifth-generation West Indian and describes the beauty of her mother’s family’s place, Constance Estate, its gardens, and a room with books where the overseer kept his lists of slaves. Anna realizes she has not forgotten the names written there.
She continues to talk about her life, including the entry of her stepmother, Hester, and their moonlight rows with Black Pappy, their boatman. Anna continues to talk in an incessant and intoxicated stream of the land and her family, and repeats she is from the West Indies.
After Walter takes her to the bedroom, she continues to remember the names on the slave-list and other memories until she gets up to leave.
In her own room, she is unable to sleep:
That was when it was sad, when you lay awake at night and remembered things. That was when it was sad, when you stood by the bed and undressed, thinking, ‘When he kisses me, shivers run up my back. I am hopeless, resigned, utterly happy. Is that me? I am bad, not good any longer, bad. That has no meaning, absolutely none. Just words. But something about the darkness of the streets has a meaning’ (49).
Anna meets Hester in London. Hester wants to discuss a letter that has left her “rather upset” (50).
After small talk, Anna speaks of her activities to her stepmother, which include singing lessons and an upcoming show. Her stepmother cuts to the letter she wrote to Anna’s Uncle Ramsay (Uncle Bo) to return her back to the Caribbean after expressing to Anna that “‘things didn’t seem to be turning out as I had hoped when I brought you over here, and that I was worried about you, and that I thought this might be the best thing’” (51).
In the letter, Uncle Bo accuses Hester of usurping the property that was meant to be Anna’s inheritance from her late father and refuses to be a part of Hester’s initiatives:
You know as well as I do that the responsibility for Anna’s support is yours and I won’t tolerate for a minute any attempt to shift it on my shoulders. Poor Gerald spent the last of his capital on Morgan’s Rest (much against my advice, I may say) and he meant it eventually to be his daughter’s property. But, as soon as he was dead, you chose to sell the place and leave the island (52).
Hester feels that the letter was an inappropriate attack on her intentions and that Anna’s father was unfairly cheated and what happened to him was a “tragedy” (53). In her continuing emotional outburst, Hester reveals that the estate was worthless, adding, “And never seeing a white face from one week’s end to the other and you growing up more like a nigger every day. Enough to drive anybody mad” (54).
In her anger, she mentions Uncle Bo’s discrepancies, which included fostering illegitimate mixed-race children and alcoholism. Hester can no longer continue to pay for Anna, as her own income is low, and she has paid already for some of Anna’s expenses and emergencies, such as her illness while in Newcastle.
Hester attempts to call Anna’s mother “coloured” (56) and although she was not, Hester still found Anna’s friendship with Francine, a black servant, unacceptable. As her rant on Anna’s upbringing, her uncle, and the life led in the Caribbean continues, Anna interjects: “You won’t have to give me any more money. Or Uncle Bo or anybody else either. I can get all the money I want and so that’s all right. Is everybody happy?” (57).
Hester calms she will no longer bear the responsibility of Anna. Anna goes back to the days in the Caribbean with Hester, who “was always talking about Cambridge” (59);remembers Francine, with whom she could be “happy” (58);her aging father, who took her across their land to see the flowering nutmeg trees; and the moment that Anna understands she may leave her home for England, so she stands in the sun until she gets a headache. From then on, she becomes ill for several months.
At the end of her reverie, Anna mentions she writes once to Hester, who returns a postcard, and “after that I didn’t write again. And she didn’t either” (63).
Money is shown to form the context of the relationships that unfold in these chapters, and Rhys illustrates the changes that overcome the characters.
Anna’s affair with Walter has deepened her attachment with him, in part because of the life she can experience because of him: “Of course, you get used to things, you get used to anything. It was as if I had always lived like that” (35). She cannot cleanly separate her feelings for Walter and the relationship’s arrangement—money for love. Nor does Anna want to cleanly separate these things, despite signs that are presented to her, from Maudie advising her to secure a flat to even Walter himself, who wishes that Anna “get on” (44) and move forward with her life. But Anna retracts and refuses to confront the possibility of this reality.
Her demeanor changes drastically with her access of money. She engages with Maudie in a reserved manner, almost seeing her as a relic of her past, and Anna even retorts to Hester’s outbursts, saying that she will no longer need her stepmother or anyone’s assistance because within she holds the assurance that Walter will be an eternal fixture in her life. Equally, with the certainty of her own financial security, Hester has no need to keep relations with Anna, as she has already acquired her late husband’s money, and since Anna’s father has passed, so, too, have her responsibilities toward Anna. With this lack of responsibility, Hester openly expresses her disgust for blackness.
Rhys shows Anna’s desire to be black side-by-side with Hester’s repulsion for black people to express the privilege that Hester believes she represents, a privilege Anna rejects and desperately wants no part of. If there is a privilege that Anna wants, it is that which comes from money, and being taken care of by someone else, and it is this dependency that Anna searches for until the end of the novel.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: